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Apricot Jam: And Other Stories, by Aleksandr Solzhenitsyn
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After years of living in exile, Aleksandr Solzhenitsyn returned to Russia in 1994 and published a series of eight powerfully paired stories. These groundbreaking works—interconnected and juxtaposed using an experimental method Solzhenitsyn referred to as “binary”—join Solzhenitsyn’s already available fiction as some of the most powerful literature of the twentieth century.
With Soviet and post-Soviety life as their focus, these stories weave and shift inside their shared setting, illuminating the Russian experience under the Soviet regime. In “The Upcoming Generation,” a professor promotes a dull but proletarian student purely out of good will. Years later, the same professor finds himself arrested and, in a striking twist of fate, his student becomes his interrogator. In “Nastenka,” two young women with the same name lead routine, ordered lives—until the Revolution exacts radical change on them both.
The most eloquent and acclaimed opponent of government oppression, Solzhenitsyn was awarded the Nobel Prize in Literature in 1970, and his work continues to receive international acclaim. Available for the first time in English, Apricot Jam and Other Stories is a striking example of Solzhenitsyn’s singular style and only further solidifies his place as a true literary giant.
- Sales Rank: #1547160 in Books
- Published on: 2012-08-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x 1.25" l, 1.00 pounds
- Binding: Paperback
- 352 pages
About the Author
"Aleksandr Solzhenitsyn" (1918-2008) was a Russian novelist, dramatist, and historian. He is a Nobel-Prize winner in literature and was an elected a member of the Serbian Academy of Sciences and Arts in 1994. Among his works are "One Day in the Life of Ivan Denisovich, The Cancer Ward, First Circle, The Russian Question", and "Gulag Archipelago".
Most helpful customer reviews
21 of 23 people found the following review helpful.
Solzhenitsyn at his best
By Daniel Mahoney
These late two part short stories (binary tales) are the best things that Solzhenitsyn wrote in the last twenty years of his life. Stories such as Apricot JAM, EGO, and THE NEW GENERATION capture the atmosphere of oppression and mendacity under "really-existing socialism" as well as anything Solzhenitsyn ever wrote. The writing is clear, taut, and eloquent and captures the attention of the reader from beginning to end. The curious language and syntax in the first story that a previous reviewer refers to occurs in a brief LETTER that a kulak sends to a fellow-travelling Writer. If the reviewer had read on he would have immediately appreciated that Solzhenitsyn had not lost his touch and has an unusually powerful command of language and the sheer expressiveness of the human soul.
8 of 8 people found the following review helpful.
fabulous storytelling
By John
This collection of "binary" short stories by Aleksandr Solzhenitsyn is fabulous.
The stories are: Apricot Jam, Ego, The New Generation, Nastenka, Adlig Schwenkitten, Zhelyabuga Village, Times of Crisis, Fracture Points, No Matter What. Solzhenitsyn wrote the stories between his return to Russia in 1994 and his death in 2008.
The general concept of the "binary" stories is that there is an old story and a new story and they are linked somehow.
All of the stories are studies of the Soviet mindset. Misguided people interact with dishonest people and the result is tragedy.
The quality of the writing is superb. And, the fact that these are short stories each fit for an interesting evening of reading makes the thematic content conveniently accessible.
I highly recommend this for all people interested in Russia.
John Christmas, author of "Democracy Society"
7 of 7 people found the following review helpful.
Forgive, but never forget. And then, don't forgive.
By NyiNya
We all have those inner albums of mental photographs taken at some moment of emotional impact, some event that knocks you out of your comfort zone and on your ear...Kennedy's assassination, the launching of the first Sputnik, 9/11. I remember where I was when I read the last words of Solzhenitsyn's "One Day in the Life of Ivan Denisovitch" -- words so cold and so bleak, they are not just devoid of hope but a great black hole where all hope dies.
Apricot Jam is evocative of that power. Solzenhitsen lulls us with simple story telling until we find outselves standing with our toes at the edge of an abyss, looking into the dark, and trying to find a reason to lean backwards. The stories are not nearly as powerful as "A Day in the Life," where we survive just one day in the thousands that Ivan Shukof will survive. But all the short stories here point in the same direction. What do we learn from Ivan, that wily zek, who doesn't give up and doesn't compromise his humanity? What precept is to be discerned when ordinary souls don't succumb to despair and just keep struggling and slogging onward? Not a one. Zip, nada, nothing. The only moral here is: Struggle all you want, retain your noble soul. That and a buck will get you a cup of coffee. Deal with it.
These short stories don't have the unforgettable impact of "Day," the reader is not left sucker punched and on the canvas; but like Solzenitsyn's greatest books, they have that same powerful simplicity and beautifully wrought sense of loss and hopelessness -- but without any trace of pity or pathos. Apricot Jam gives us that sense of claustrophobia and futility, of swimming upstream, that must be the daily burden carried by all intelligent people who live under a repressive regime.
There is a dry humor at work in the stories...Solzhenitsyn always adds an ironic twist. In Apricot Jam, he uses a literary device he terms "binary" to reinforce the irony. People and events from the past show up to complicate the present. There is an interconnect among the stories and a sting in the tail. Readers of O'Henry will be familiar with the process.
When he went back to Russia in 1994 and did a victory lap around what used to be the USSR, Solzhenitsyn had to be laughing to himself. The champagne and brandy soaked receptions with glad-handing petty Moscow bureaucrats who were his former judge and jury, the back-slapping commissars in Irkutsk and Vladivostok who, a few years earlier, were running the Gulag, not the Trans Siberian Railroad, must have been amusing indeed. But these stories show us that he wasn't buying their dog and pony show. One can imagine a little hardness behind the eyes whenever the writer clinked glasses and toasted "Na Zdrovie" to one of his former captors.
One last word re translation: It's possible to The Gulag Archipelago in one translation and come away with completely different vignettes than would someone who read a different version. "One Day in the Life" seems to have the wildest discrepencies: in a particularly egregious translation, Ivan breakfasts on one dish identified as porridge, and a completely different dish called gruel. You'd have to read a different copy of the book to learn his first course was boiled grain and the second fish soup. It may sound minor, but after having spent 24 hours with Ivan Denisovich, nothing is more important that what he calls 'the almighty soup.' The quality of translation here seems to be good. Much of Solzenhitsyn's playfulness with words and syntax appears to be present.
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